THE CONCEPT OF "FATE" IN THE WORKS OF THOMAS HARDY
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Abstract
This article examines the concept of fate in the works of Thomas Hardy, focusing on its semantic, stylistic, and philosophical dimensions. The study is based on qualitative textual and discourse analysis of Tess of the d’Urbervilles and Jude the Obscure. The findings demonstrate that fate in Hardy’s fiction is constructed through the interaction of deterministic forces, social constraints, and chance events. Particular attention is given to narrative techniques, symbolism, and irony, which contribute to the sense of inevitability and tragic outcome. The study also emphasizes that fate in Hardy’s works reflects both philosophical determinism and socio-cultural influences.
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References
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