PRINCIPLES OF ARTISTIC PERCEPTION OF REALITY IN ERNEST HEMINGWAY'S ‘THE OLD MAN AND THE SEA’
Article Sidebar
Main Article Content
Abstract
This article analyzes the principles of artistic perception of reality in Ernest Hemingway's "The Old Man and the Sea." The research reveals the distinctive features of Hemingway's work by exploring the artistic characteristics, symbolic meanings, and literary techniques of the novel. The article discusses the impact of the writer's "iceberg theory," minimalist writing style, and psychological realism techniques on the content of the work.
Article Details
References
Baker, C. (2018). Hemingway: The Writer as Artist. Princeton University Press.
Berman, R. (2019). "The Iceberg Theory in Hemingway's Fiction." Journal of Literary Studies, 45(2), 78-92.
Petrov, A. (2020). "Artistic Features of Hemingway's Prose." Literature Questions, 4, 89-102.
Umarov, S. (2019). "Xeminguey asarlarining falsafiy jihatlari." O'zbek tili va adabiyoti, 3, 67-75.
Qodirov, M. (2017). "Xeminguey asarlarining badiiy xususiyatlari." O'zbek tili va adabiyoti, 5, 45-51.
Wilson, P. (2021). "Understanding Hemingway's Iceberg Theory." Studies in Literature, 42(4), 201-215.
Johnson, M. (2022). "Minimalism in Hemingway's Prose." American Literature Review, 56(3), 234-249.
Smith, R. (2020). "Psychological Realism in The Old Man and the Sea." Literary Analysis Quarterly, 34(2), 167-182.
Rahimov, A. (2021). "Ernest Xeminguey ijodida ramziylik." Til va adabiyot ta'limi, 6, 23-28.
Brown, J. (2023). "Symbolism in The Old Man and the Sea." Modern Fiction Studies, 68(1), 112-127.